Monday, August 31, 2009

Profile of a Dedicated Artist Sheikh Mohammed Sultan


After only five years of schooling in Victoria Collegiate School in Narail, Sultan joined his father to work as a mason. He began to draw the buildings his father used to work on and developed an artistic disposition. He wanted to go to Kolkata to study art, but his family did not have the means to send him there. Eventually, Sultan went to Kolkata in 1938 with monetary support from the local zamindar (landlord).


Having inadequate qualifications for admission into the Art School in Kolkata, Sultan only managed to get in through the help of Renowned Poet and art critic Hasan Shahid Suhrawardy(1890-1965)(Who introduced Jamini Roy to the world) a member of the governing body of the School also known as elder brother of Shahid Suhrawardy,former Prime Minister of Pakistan . Sultan also stayed at Suhrawardy's house and was allowed use of his library. Sultan, however, never completed his education. After three years in the school, his bohemian nature had the better of him and off he went travelling around India and working as a freelance artist. During his travel, he made a living by drawing the portraits of allied soldiers who had camped at the place he was visiting. During this period, his first exhibition was held in Simla, though none of these works have survived, mainly due to Sultan's own indifference towards preserving his work. After living and working in Kashmir for a while, Sultan returned to Narail in the wake of the Partition of India, Narail now part of Bangladesh.Then again, in 1951, he left for Karachi. There he taught as an art teacher at a school, and came in contact with artists like Abdur Rahman Chughtai and Shaker Ali, with whom he developed lasting friendship. In 1950 Sultan had gone to USA - exhibiting his work in New York, Washington, Chicago, and Boston, and later in London. In 1953 he returned to Narail. There he built a school for children, and a menagerie. He lived in a house full of cats and snakes. Except for occasional visits to Dhaka (where he had his first exhibition in 1976) he lived in the quiet isolation of his house.


A confirmed bachelor, Sultan settled down in an abandoned building in Narail overlooking the river Chitra, where he lived ever since with an adopted family and pets of his own including dogs, mongoose and monkeys. Sultan would later build a mini-zoo near his home. Apart from occasional visits to Dhaka, the capital, Sultan only once left Narail for any substantial period of time. He became interested in a ruined house in Sonargaon, pretty much like his own home in Narail, and lived there for a period.
Sultan's first exhibition in Dhaka was in 1976, inordinately late for a painter of his stature. Sultan died in 1994.





TablaRaj Bangladesh always respect him



Information colleted by

Syed Hasibur Rashid (Hasib)

Friday, August 28, 2009

Profile of a Dedicated Singer RUMI AJNABI


Rumi Ajnabi was born on 7th August, 1955 at Dewanpara, Jamalpur. Son of Fazlur Rahman Ajnabi, a poet and lyricist, and Zohura Khatun, he is the youngest of brother Didarul Alam Khurram and two sisters Hasna Zahan and Ferdous Rahman. Father Fazlur Rahman Ajnabi was a strident advocate of music – the performance of which was a taboo among Muslims during most of his life.

Rumi Ajnabi was a student of Jamalpur Zilla School and Asheq Mahmud College. He developed a passion for music from his childhood and was inspired by his father. He formally began studies in music in 1970, at the Surbani Lolitkala Niketon – the only school at the time – established by music teacher Shahidur Rahman.saju.

Later, he learned music in various genres under Sree Bhanu Das, Sree Amal sen, Abdul Latif, Prof. Pradeep Kanti Mojumder, Mohiuddin Sripuri and many others. In classical music, his initiation was from Ustad Abinash Goswami of Sherpur. He also undertook lessons from renowned music Maestros of Mymensingh Ushad Bijoy Krishna Bhattacharya. In 1975, he had lessons on classical music from renowned MusicianUshad Fazlul Haque in Dhaka.

In March, 1976, he enrolled himself as a classified singer in Bangladesh Television (BTV), after passing the voice audition; and in July this same year, he appeared for the first time in BTV when he presented a modern song. Sometime later, he became a regular singer of Bangladesh Betar (Radio).

It was hard for him to live permanently in Dhaka depending on his music career, so he returned to Jamalpur in 1978. Despite many odds, he pursued musical career. He returned to Dhaka in 1979, this time with an intention to find a small job or start a business, while continuing his musical aficionados. After fretting for two years in Dhaka, he landed a job at a packaging firm in Singapore in 1981. During this time, he performed some on-stage programmes. But as ill luck would have it, he had to return to Bangladesh after two years because of an accident he met while on the job. With a paltry sum, he started a business in Jamalpur. He married Rokeya Begum Dolly. He fought for eight years to save his physically impaired son. Business failure and debts dogged him.

Still, he was indomitable in music. His audio album on modern songs from the DISCO RECORDNG made its debut in 1987. He also continued his TV programmes while staying in Jamalpur. He attended a workshop in Dhaka in 1987, conducted by music maestro of the sub-continent Pandit Ajoy Chakravarty.

Rumi Ajnabi was appointed a music teacher at the Jamalpur Zilla Shilpakala Academy in 1994. He was also appointed a teacher in Bangladesh Shishu Academy in 1997. During this period, he received higher training on classical, Nazrul, Rabindra and folk songs organized by the Shilpakala Academy. The teachers in these courses included Khalid Hussain (Nazrul songeet), Rezwana Chowdhury Banya (Rabindra songeet), Dr. Mridul Kanti Chakravorty, Ajit Roy and Indramohan Raj Bangshi (folk songs). At the Nazrul Institute, he received special training from Sudhin Das, Sohrab Hassain and many others.

On classical music, Rumi Ajnabi received lessons under Gopal Dutt, Azad Rahman, Dr. Harun-or- Rashid and Ustad Yasin Khan.

Rumi Ajnabi established “Ajnabi Songeet Academy” in Jamalpur in 1994 in memory of his father Fazlur Rahman Ajnabi. Financial depression and outstanding loans compelled him to close down his business, and sell his own home to pay off debts. In June 2000, he came to settle in Dhaka in order to take up music as his only profession. To begin with, he worked as a teacher in “Satya Saha Sangeet Niketon” in Uttara for two years. In 2003, he resumed his “AJNABI SANGEET ACADEMY”in Uttara. The Commitment Product brought out his two albums on “Ay Juger Devdas” under his direction, CDs were brought out on Nazrul’s Dance Song “Natun Patar Nupur Bajiy” and a CD on “Rupkather Desh”.

Rumi Ajnabi himself has written many lyrics and composed numerous songs. His third album containing 10 songs was produced in 2008 by ATN Music “Kottay amar shamoray”.

Many of his talented students have become enlisted singers in radios and TV. While in Jamalpur, he headed as president many cultural organizations including “Saptarshi” “Fair Music” and “Lokoj”. Presently, he is a “Up grade” singer of BTV and an “A grade” singer in Bangladesh Betar.

His wife Rokeya Begum Dolly and his only daughter Rejwana Shrabon make his three-member family. Rumi Ajnabi seeks Doa from everybody for his continued success....................For more information anybody can contact with

RUMI AJNABI

Rd - 13. Hs -37 Sec - 4.

Uttara, Dhaka - 1230

MOBILE NO : 01715-405976

E-mail : ajnabi.gaan@gmail.com

TablaRaj Bangladesh always respect him
Stored By Sejuti Saha

Tuesday, August 25, 2009

The unparalleled Musician of Bangladesh

Ustad Alla-Uddin Khan (1862-1972)


Ustad AllaUddin Khan is one of the gems of Musical world. Born in 1862 at Shibpur village in Brahmanbaria (Today, it is a part of Bangladesh), Alla-uddin Khan has been raised to the deserved regard of a Baba (father). The great Indian Sarod player is also renowned as a multi-instrumentalist. One of the best teachers of music, himself took his coaching from the great Wazir Khan.


Since childhood, Alla-uddin was fond of music and escaped from home to join Bengali theater at the age of ten. His interest for music got more intense with his experience in theater. Following theater, he learned music under the guidance of various musical maestros namely Gopal Krishna Bhattacharya, Amritalal Dutt and worked in Kolkata's Star Theatre. Here, Alla-uddin met Mr. Lobo and took training of European classical violin from him.


The theme of Sarod occupied the mind of Alauddin Khan, when he got the chance to attend a concert of Ahmed Ali Khan (a student of Asghar Ali Khan). After seeing his intense desire to learn Sarod, Ahmed Ali Khan started giving him the lessons of Sarod. After taking guidance for five years, Alla uddin went to Senia Gharana (Tansen school of music), the popular school of music in northern part of India. Soon after this, he became the musician of court in Maihar Gharana (Estate) of Brijnath Singh Maharaja in the Central Province.


In the time, when Alla-uddin was working as a court musician, he totally changed the Maihar Gharana, celebrated for Indian classical music. Due to this fact, many a times Alla-uddin is regarded as its creator. At this time, Hindustani instrumental music observed a major change because Alla uddin incorporated Beenbaj, Dhrupad Ang (Been), Surbahar (bass sitar) and Sur-sringar (bass sarod) in the class of classical instruments.


Baba Alla-uddin created many ragas to add the Indian music and gave various sarod concerts. He didn't work upon only on Sarod but on other Indian musical instruments too. For his mind-blowing contribution to the Indian music, he was honored by Sangeet Natak Academy Award in 1952, 'Padma Bushan' in 1958 and 'Padma Vibhushan' in 1971. In 1955, Baba established a Maihar College of Music. In 1972, Alla-uddin Khan died at the age of 110. The contribution made by Ustad Alla-uddin to the Indian music is incredible and he has established a niche for himself.

Sunday, August 23, 2009

Baul Shomrat Shah Abdul Karim


Shah Abdul Karim is a name well known to people, young and old, living in the Sylhet region as well as in the other parts of the country. He is about 90 years old, and now, this aging singer is almost bedridden. A devoted soul, the man has been part of the field of folk and mystic songs from a very early age. The composer and singer of many popular songs and sentimental favorites throughout the country has been suffering from old age ailments for years and staying at his remote village cottage in the Derai upazilla of Sunamganj. Most of the current Baul singers from the region are his disciples....

He is not certain of his date of birth. However, it is most likely that he was born about 90 years ago in the month of Falgun. Born in a poor family of a village, Shah Abdul Karim dove into songs and music from childhood. His parents Ibrahim Ali and mother Naiorjan Bibi did not oppose his decision, although the then Muslim society did not readily accept a musical lifestyle very easily....

Traditional schooling could not keep him engaged for long. Shah Karim's father sent him to a night school, meant for students of all ages at a backwater village. But that also failed to contain the boy. After just seven days, Karim left that school because of his compulsion to engage in folk music. However, soon he began doing the job of cow grazing at a household and in the evening, started joining the ashars of folk songs in the village. The Baul songs in particular captured him. Noticing his great interest in the mystical songs, Baul Komor Uddin, who also hailed from the same village, took Shah Karim in his group. This was Shah Karim's foot in the door. Later, he went under the discipleship of Rashid Uddin....

When the anti-British movement gained momentum, Karim was a boy of 15. He traveled with an Ektara from village to village in order to call the people to the cause of freeing the soil from the clutches of the British Raj. He composed some popular songs,which brought him closer to the common men at that time.......

Even in recent times a good number of songs have enjoyed popularity in the country, although there are many who have not even heard of the man. Some of his popular numbers are, Gramer Naojoan, Bandhey Maya Lagaichhey, Tomra Kunjo Sajao Go, Gari Choley Na Choley Na and many more numbers......

The river Kalni, which flows in front of the small village Ujan Dhol has influenced Shah Karim's life seriously since his childhood...........

A yearly fair in the Bengali month of Falgun named 'Dhol Mela' also gave Karim an opportunity every year to participate in weeklong cultural functions performing Murshidi songs and Pala songs. Shah Karim, was in fact, the star attraction of the Dhol Mela........

Shah Karim, however, never really had the acumen for making money, nor did he seem particularly interested. Staying home was rare for Karim, who traveled from one village to another performing. He was always on the move. His family, however, arranged a wedding for him, as they were interesting in seeing him be a family man. He consented and got married to Aftabunnesa Sarola. After the sudden death of Sarola the grief stricken Shah Karim composed some songs in her memory. He buried Sarola in the premises of the house. Their only son is Shah Nur Jalal........

The singer used to be a part of programs on Bangladesh Betar, Sylhet station in the early part of his career. It gave him good publicity in the region. He visited the UK in 1964 for the first time, and performed there. In 1985 he went there again as a team leader of eight folk singers from the Sylhet region. Shah Karim still remembers the Kagmari Shammelon of 1957, in which he had the scope to join the cultural function under Kabial Ramesh Shil..........

Shah Karim bid a farewell to performing at a function at the upazilla headquarters of Derai last year. It was his last performance, due to his physical condition. His health is frail, but he is still drawn to the river Kalni. In the past, whenever he got some free time, Karim used to go to the riverbank for a walk. But, very recently he's been unable to do that. Most of his day is spent in bed.

Different organizations have awarded Shah Abdul Karim with medals and honors. In 2005, he was honored with the Prothom Alo-Meril Ajibon Shommanona Podok. He was also rewarded the Ekushey Padok in the year 2001 for his songs, also received Drouhee Kotha-shahitayk Abdur Rouf Choudhury Award in 2000.....

Karim has managed to oversee the completion of a small structure to start an institution for teaching Baul Sangeet, it is to be called the Abdul Karim Sangeetaloy. He started it 4 years back and got only Taka. 50,000 from the Council for his project. He believes, his long cherished dream will be realized one day. Maybe one day, said the musician, one day when I am no longer alive.

Baul Shah Abdul Karim has written and composed as many as 1500 songs. These songs are organized in six books, like: Aftab Sangeet, Gano Sangeet, Kalnir Dheu, Dholmela, Bhatir Chithi and Kalnir Kooley. Bangla Academy has translated ten of his songs into English language....

His songs, following the trend of Sufism, stand out for their extraordinary metaphors, message of secularism and depiction of divine love in simple words; a reason why his music has a mass appeal......

TablaRaj Bangladesh always respect him .

Information Collected By: Sejuti Saha