Sobita Sen Roy, A greatest musician in our Sub-continent
Information Collect By : Sounak Dutta

Ustad Ali Akbar Khan, the unparalleled sarod maestro. Born at 14 April, 1922 in the village of Shibpur in Brahmanbaria, Bangladesh. His father Ustad Alauddin Khan. Ustad Ali Akbar Khan grew up in Maihar, Madhya Pradesh, where his father was the court musician to the Maharaja. An early entrant to the world of music, he began vocal training at the tender age of three. He then went on to practice diverse musical instruments under the tutelage of his father, who was adept at 200 instruments. However when the young boy reached the age of nine, his father decided that he should specialise in the sarod. In 1933, at the age of 11, he began to play a sarod especially designed for him by his uncle Ustad Ayet Ali Khan.
He made his first solo public appearance at the age of 13 in Allahabad. Beginning with performances at various music conferences in the ’40s, he joined All India Radio, Lucknow, as a music director. Then he was sent to Jodhpur as a substitute for his father who had been invited to become the court musician for the Maharaja of Jodhpur. He remained there for six years, playing music up to eight hours a day. Upon the death of the Maharaja, Ali Akbar moved to Bombay (now Mumbai), the movie capital of India, where, to his father’s distress, he began to compose film music. When his father Ustad Alauddin Khan heard that Ali Akbar was working on film music, he angrily sent a telegram saying: “From today you are no longer my son.” However, when Ustad Alauddin Khan himself went to see the movie “Khudhito Pashan,” he questioned a close friend “Who composed this music? This is great!” He was told that the music had been composed by his son. On hearing this, he wrote a letter to Ali Akbar saying: “You can go ahead and compose film music. I withdraw my last telegram.”
In 1954, Ustad Ali Akbar Khan encountered the notable Yehudi Menuhin, one of the 20th century’s greatest western musicians. Menuhin sought to introduce the young talent to the western audiences. So Ali Akbar flew to the west in 1955, first to England and then USA. He had the honour to be the first Indian musician to play on western television. In 1955 in New York he recorded the first ever long play record of North Indian classical music. The album, incorporating Raaga Sindhu Bhairavi and Raaga Pilu Barowa, was introduced by Yehudi Menuhin announcing the scale, counting the 16 beats of teen taal and demonstrating the drone.
Ustad Ali Akbar Khan had many credits to his name, having bagged the President of India Award twice over, and as a recipient of the Padma Bhushan and Padma Vibhushan. In the United States, he was invited to play at the inaugural ceremonies of President Kennedy and, in 1991, he received the MacArthur Foundation Genius Fellowship in recognition of his work in transmitting and enhancing the musical tradition of North India. In 1993 he received the Bill Graham Lifetime Achievement Award. From 1970 to 1998 he was nominated for the Grammy Award five times. But due to some technical hitches he declined the nomination. In 1994 the Ali Akbar Foundation was set up to archive and preserve the music of the Seni Baba Alauddin Gharana so that future generations could access and research it. Ustad Ali Akbar Khan died at the age of 87 in 18th June 2009.
TablaRaj Bangladesh always remember him with due respect

Born in Mymensingh, Mymensingh a District of Bangladesh in division of Dhaka, on December 15, 1984.
I had finished my School, College at Mymensingh & recently(2009) i had finished BFA(hons) from fine art faculty (University of Dhaka).
I think a artist, anywhere in the world, must do their work in Art.
Art is the voice of our society or it can be the reflection of our society.
An artist is like a mirror, a mirror of their own culture, is the most important
thing in the world.
I was born in Bangladesh. We are exceptional excellences of our people and all over the world,
Because, its known to u we fought for our freedom in 1971. Not only that, we also fight for our language in 1952 and so the February 21 is celebrated On the day of the International Mother Tongue In this sense, we are the richest and the proud citizens of the world.
MY ARTWORK:
To work, at first I need a concept and put it on paper and then finally I give to shape it in my thoughts. That would be my sculpture, painting or Installation.
The art connects me to life, reality and thought I am identified with the different
Characters in my country, with people working in the field and look at the life expectancy,
Women who care and educated their children, with love, religious tradition, which positively or negatively affects the lives of many people.
In relation to my sculptures, I take forms of reality, and I interpret and model them
in a particular way, through the interplay of volumes and spaces.
They can be small busts, representing the head and upper chest, a torso,
if they lack the head, legs or arms. I mainly use the technique of modeling
and polished, adding or removing portions of material.
I seek to merge the form, time and space, creating shapes, modeling, giving strength and dynamism to the volume, taking care of the contour and finish
of the image with different textures.
My art is also my spiritual journey and my love for the material that I use,
GROUP EXHIBITS:
Exhibited at the Fularton Museum Gallery of WAF in California USA. July 2009
Exhibited at the World Art Expo in California USA. in the city of Brea. June 2009
*Raku Workshop Outcome Show 2009, Zainul Gallery, Faculty of Fine Art, University of Dhaka.
*Water Color Exhibition, Arrange by National Kite federation, Zainul Gallery, Faculty of Fine Arts, Dhaka University, Bangladesh. 2009.
*Friendship Art exhibition, Chobir Hat at Drik Gallery, Bangladesh, 2008.
*Five Young Artists Ceramic Art Exhibition, Zainul Gallery, Faculty of Fine Arts,
Dhaka University,Bangladesh.2008.
*Reconstruction Art on RACU, Zainul Gallery, Faculty of fine arts, Dhaka University,Bangladesh,2008.
*16th Young Art exhibition, Bangladesh Shilpokola Academy,2008.
*Shilpacharjo Zainul Abedin art Exhibition at Mymensingh art museum Gallery, Bangladesh, 2008.
*Annual Art Exhibition, Faculty of fine art, Dhaka University 2003, 2004, 2005, 2008, Bangladesh.
*Berger Young Art Exhibition,2004, 2005, Zainul Art gallery, Dhaka, Bangladesh.
*Ziaur Rahman Art Exhibition, Zainul Art Gallery, Dhaka, Bangladesh, 2003.
*Annual art Exhibition, Zainul Abedin Art Museum, Mymensingh, Bangladesh, 1998.
Workshop:
*Title Water Color Workshop.
Venue - Faculty of Fine Arts, Zainul Gallery, Dhaka, Bangladesh.
Organized & Supported by-National Kite Federation, Bangladesh.
Year 2009
*Title- IDEA SPRINGBOARD
Workshop on art beyond canvas
Venue- Office of jolrong.com
Organizer - www.jolrong.com
conductor-Moyeenul Alam
Year-2009
*Title - Conceptual Raku Workshop at Ceramic inaugural Bangladesh.
Venue - Faculty of fine arts and Ceramic Department of Bangladesh.
Year - 2007
Supervisor- Mahbubur Rahman artist
Residence Program
*Title - RACU Project Reconstruction
Venue - Britto Art Trust, Hatirpul, Dhaka. and Poraparaspace, Potanga, Chitagong.
rganised by- Britto Art Trust.
Supported by- FORD FOUNDATION
Year - 2008
Workshop Given
*Title - RAKU Workshop (join venture with Sculpture Department, Faculty of Fine Art)
Organised by- Britto Art Trust.
Year 2009.
Award:
*1st place on send sculpture competition 2009, at Cox's bazar.
Organized by National Kite Federation
* 'Bhrammaputro' designation gotten for Ceramic Sculpture, at Zainul Abedin Art Exhibition(mymensingh) 2008
